How to Do
Color Infrared Photography
With Digital Cameras
Color Digital Infrared Image
Color infrared photography with film and filters can yield some wonderful and oddly colored images, but the significant complications involved kept most photographers from delving into the infrared realm. Kodak Ektachrome EIR film is great stuff but hard to work with. Fortunately, it is much easier to do color infrared photography with a digital camera. Now you can have the fun of doing color infrared photography without all the hassles.
Despite a lot of internet reports to the contrary, it is possible to do both color and black and white infrared photography with a number of digital cameras). Black and white infrared photography is relatively simple. In addition to a camera and lens, all you need are a Hoya R72 filter, a tripod, and some basic (under $100) image editing software. Information on how to do this was the subject of this article.
To do color infrared photography the equipment is the same, but the imaging editing software must be able to handle RGB color channels and LAB mode. Adobe Photoshop will do this (along with several other kinds of software).
Original color image to be combined
with a matching infrared image
Taking the photo is the same as for black and white infrared, except that two identically registered photos must be taken. Immediately after taking the infrared image with the Hoya R72 filter, a normal color photo should be taken without the R72 filter. The camera should be on a tripod and the aperture for both photos needs to be the same. Be careful not to move the camera and tripod between the two photos. Except for the filtration, both photos should be identical. The two images will be combined later in the computer.
Original infrared image to be combined
with a matching color image
Now you need to combine both images in the computer.
Open both images in Photoshop (or the image editing software of your choice). Begin with the normal color image. Select the entire image (CONTROL-A). Choose channels and click to select the green channel. Copy the green channnel (CONTROL-C). Select the blue channel and paste in the information from the green channnel (CONTROL-V). Select and copy the red channel (CONTROL-C). Select the green channel and paste in the red channel information (CONTROL-V). What you have accomplished is to move the red channel info to green and the green channel info to blue.
Select (click on) the infrared image and select the entire image (CONTROL-A). Choose the red channnel and copy it (CONTROL-C). Go back to the normal color image and choose the red channel. Paste the infrared red channel into the color red channel (CONTROL-V).
You now have a color image much like Kodak Ektachrome EIR with reddish-magenta vegetation and those unusual blue skys (top image of this post). Note that the movement between the color and infrared photos resulted in non-registered sets of aqua-blue and pink clouds. You can use LEVELS and HUE/SATURATION to tweak the final image. Experiment by moving the color channel information to different channels than the ones I suggested above.
Digital infrared image from combined
infrared and color images
The digital infrared image immediately above was processed from the same color and infrared images, but in a different way. Open both images in Photoshop. Convert the normal color image from RGB to LAB mode. Go to the infrared image, and select the whole image (CONTROL-A). Choose the red channel and copy it (CONTROL-C). Go back to the color image and choose the LIGHTNESS channel. Paste the infrared red channel into the color LIGHTNESS channel (CONTROL-V). Now convert the color image from LAB mode back to RGB and tweak with LEVELS and HUE/SATURATION. The result is another rendition of color infrared that is unusual but less over the top.
Black and white infrared image
